... Followed by the Turner Prize exhibition, which I would not normally have chosen to visit, but for a few quid more, and in the interest of keeping an open mind ... Well, it was interesting. No really! Paul Noble's 'painstakingly detailed and engrossing drawings of the fictional metropolis Nobson Newtown' were fascinating, although not what I would chose to hang on my wall. We didn't have the 93 minutes it would have taken to sit through Luke Fowler's documentary on the work of Scottish psychiatrist R D Laing, but it sounded promising. Spartacus Chetwynd's performance started as we were preparing to leave so we only caught a few minutes of individuals dressed as zebras(?) manipulating rag dolls. It may have become clearer as it progressed! Elizabeth Price's winning entry, The Woolworths Choir of 1979, was the most accessible and I wish I'd been able to see it through from beginning to end. There was a very informative section on church furnishings and once I got used to it the Clap Click soundtrack was strangely soothing.
... We walked along the Embankment and watched the (almost) full moon rise from behind The Shard.
... We ate at Wahaca, at the request of my elder daughter. It's a Mexican street food restaurant founded by Thomasina Miers, a former Masterchef winner, whose television series on Mexican cooking I enjoyed. We opted for a selection of small dishes to share and experimented with new ingredients and flavours including pibil pork, Mexican corn mushrooms and plantain. It's a colourful, noisy restaurant. The service was friendly but not always accurate and portions were small for the price, but maybe that's just Covent Garden for you. We certainly had room for puddings. The two pictured above were churros and chocolate and vanilla icecream with toasted pumpkin seeds and cajeta. We left with a pack of serrano chilli seeds and I'd certainly return.
... We took a leisurely stroll back to Victoria Coach Station via Trafalgar Square and St James' Park, stopping to view the latest occupant of the Fourth Plinth - Powerless Structures Fig 101 by Elmgreen and Dragset is of a child on a rocking horse, symbolising a future to hope for and celebrating the everday battles of growing up. I like it.
These post Christmas day trips to London are becoming an enjoyable new tradition.